beach image Christine Gelineau
 



Hand-stitched chapbook.

TO ORDER In the Greenwood World ON-LINE


Photograph & cover design by Janine Gelineau

 

In the Greenwood World

To my ear, this collection reproduces something of the stuttering our heart feels in the face of the world as we find it---the outrage, exasperation, despair . . . and the irrepressible hope that somehow we as a species can do better . . . will do better . . .

Christine Gelineau’s remarkable book reveals an intelligence deeply engaged with the world. The moral compass that guides these poems is matched by their attention to aesthetics; the poet’s craft is equal to her vision. She skillfully balances elegy with protest, and argues against all that which devalues life and promotes violence and war.
000000000000000000000Maria Mazziotti Gillan

From Foothills Publishing's
Poets on Peace Series


Songline cover
Hand-stitched chapbook.
Six Dollars.

TO ORDER North American Song Line ON-LINE

North American Song Line

The Australian Outback is a beautiful but unforgiving landscape. With no written language, how did the Aborigine people map their environment? The solution was song lines: a narrative that embedded human history into the land itself. If you want to cross from A to B, you tell yourself the song line that corresponds to that route and if your story and the landscape match up as you go along, you know you have not lost your way. I loved the possibilities of that idea, the way it intertwined narrative with the material world and made visible our interconnection with our landscape. I decided to write a long poem that would be a kind of listening to the land I'd lived on, at that time, for twenty five years. North American Song Line is the result of that listening.
It is one thing to turn a bright and self-contained lyric; it is quite another to undertake philosophical, historical, even socio-political concerns in a poem that ranges from the first settlements in the Susquehanna Valley to the ovens of Treblinka, from the cry of the screech owl to the history of the gypsy moth, from radical prejudice to the musings on DNA. I am very impressed by her willingness to take on a big subject matter, to experiment with shaped structures on the page, and to marry metaphor to meaning.
0000000000000000000000000000 Maxine Kumin
 
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last updated 2/18/2007

Copyright Christine Gelineau. All rights reserved.